{"id":1560,"date":"2023-09-27T16:47:14","date_gmt":"2023-09-27T13:47:14","guid":{"rendered":"https:\/\/www.editorial.lt\/shop\/?post_type=product&p=1560"},"modified":"2023-09-27T16:50:46","modified_gmt":"2023-09-27T13:50:46","slug":"gruodzio-31","status":"publish","type":"product","link":"https:\/\/www.editorial.lt\/shop\/lt\/product\/gruodzio-31\/","title":{"rendered":"Gruod\u017eio 31"},"content":{"rendered":"

Milda Lembertait\u0117 gim\u0117 Klaip\u0117doje, \u0161iuo metu gyvena ir kuria Londone. Meninink\u0117s k\u016bryba laviruoja tarp skulpt\u016bros ir skaitmeninio videomeno, ekologinio aktyvizmo ir dadaistinio performanso. Savo k\u016bryboje Milda nagrin\u0117ja santyk\u012f su gamta, technologijomis ir istorija ir tiria, k\u0105 mes galime su\u017einoti apie save \u017evelgdami i\u0161 ne\u017emogi\u0161kos perspektyvos, daugiausia d\u0117mesio skirdama med\u017eiagi\u0161kumui ir bendradarbiavimo praktikoms.<\/p>\n

Performansuose meninink\u0117 naudoja TV ekran\u0173 vaizdin\u0119 kalb\u0105, skland\u017eiai suliedama j\u0105 su \u017emogaus kont\u016brais. Tokie choreografi\u0161ki judesiai lengvai \u012fveikia rib\u0105 tarp ap\u010diuopiamo ir neap\u010diuopiamo, skaitmenin\u012f vaizd\u0105 perteikdami kaip prakait\u0105 bei \u012ftamp\u0105. Pasitelkdama \u0161i\u0105 sinergij\u0105, k\u016br\u0117ja tyrin\u0117ja technologij\u0173 nematerialum\u0105 ir j\u0173 k\u016bni\u0161kas aprai\u0161kas.<\/p>\n

Mildai Lembertait\u0117 baig\u0117 vizualiojo meno magistro studijas \u201eChelsea\u201c men\u0173 koled\u017ee ir performanso dizaino ir praktikos bakalaur\u0105 \u201eSaint Martin\u2018s\u201c meno ir dizaino koled\u017ee, Londone. Meninink\u0117s parod\u0173 bei rezidencij\u0173 s\u0105ra\u0161e \u2013 \u0160veicarijos performanso meno apdovanojim\u0173 paroda ( \u201eKunstmuseum\u201c, Liucerna, 2022 m.), \u201ePrimeval\u201c (galerija \u201eUnit 1\u201c, Londonas, 2023 m.), \u201eAmada Verde\u201c (\u201eHaus am L\u00fctzowplatz\u201c, Berlynas, 2021 m.), \u201eVOLUMES\u201c (\u201eKunsthalle\u201c, Ciurichas, 2019 m.), \u201eCan You Feel It?\u201c (\u201eLast Tango\u201c, Ciurichas, 2019 m.), \u201eBeep\u201c (\u201eDANCE4\u201c, Notingamas, 2019 m.), \u0160veicarijos meno apdovanojim\u0173 paroda (\u201eHalle 4\u201c, \u201eArt Basel\u201c, Bazelis, 2019 m.), \u201eRA Lates: Transcendence\u201c (\u201eRoyal Academy\u201c, Londonas, 2019 m.), \u201eThe Day Of The Dead\u201c (\u201eBritish Library\u201c, Londonas, 2019 m.), \u201eHamza \u2013 Exodus To The Underground\u201c (\u201eSalon 61\u201c, \u201eABA, Berlynas\u201c, 2019 m.), \u201eLABVERDE\u201c (\u201eThe Amazon\u201c, Brazilija, 2018 m.), \u201eI Scream, You Scream, We All Scream For Ice Cream\u201c (\u201eFondazione Baruchello\u201c, Roma, 2017 m.), \u201ePer\u00edmetro: Cine Expandido\u201c (\u201eDigital\u201c kult\u016bros centras, Meksikas, 2016 m.), \u201eChe c\u2019\u00e8 di nuovo?\u201c (\u201eMASI\u201c, Luganas, 2016 m.), taip pat rezidencij\u0173 ir dirbtuvi\u0173 ciklas \u201eArtists-in-Residence\/Schools Workshops\u201c (\u201eTATE Modern\u201c ir \u201eTATE Britain\u201c, Londonas, 2016 m.).<\/p>\n","protected":false},"excerpt":{"rendered":"

Nor\u0117dami su\u017einoti kain\u0105 para\u0161ykite mums<\/p>\n

2020 – 2021
\nRastas medis (Ri\u010dmondo parkas, Londonas), obsidiano akmuo, aliejiniai da\u017eai, sidabro lak\u0161tai, dirbtin\u0117s blakstienos
\n61 x 158 x 72 cm<\/p>\n

Pastaba:<\/em> K\u016brinius siun\u010diame \u012f u\u017esien\u012f, pristatymo kaina derinama atskirai.<\/em><\/p>\n

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